The Bridgewater Madonna represents Raphael’s most complex approach to the subject of the Virgin and Child before his move to Rome in 1508. Log in to USEUM to download unlimited free images, send e-cards and interact … The copy is very precise, except for the gauzy drapery which covers Christ’s nudity. The original is on loan to the Scottish National Gallery in Edinburgh from the Duke of Sutherland’s collection. Alternative Names: The Virgin and Child. JHS.) Raphael adopted a twisting pose and poignant gaze characteristic of Leonardo in his Saint Catherine of Alexandria, which also dates from about 1507. Nostell Priory, West Yorkshire (Accredited Museum). The Bridgewater Madonna is an oil painting on wood transported by Raphael canvas (81x56 cm), dated to 1507 and shown in the National Gallery of Scotland in Edinburgh. All Rights Reserved | P.IVA 10900451005 | C.F. Download a low-resolution copy of this image for personal use. Oil paint (8893)
Technical examination of The Bridgewater Madonna shows that he continued to revise his ideas during painting. This is clearly a later addition, probably dating from the nineteenth century. The main panel of the altarpiece, ‘The Ansidei Madonna’, is also in the National Gallery’s collection. Purchased by the National Trust by private treaty sale from Lord St Oswald in 2010, Nostell Priory, The St Oswald Collection (National Trust), after Raphael (Urbino 1483 – Rome 1520), artist Giovanni Battista Salvi Sassoferrato (Sassoferrato 1609 - Rome 1685) (10), © National Trust Images © National Trust Collections Registered Charity No. The figures are no longer posed stiffly and formally as in paintings by earlier artists, but display all the tender emotions one might expect between a young mother and her child. The minimum purchase order quantity for the product is 1, Copyright Maria Rosaria Paradisi Miconi. In these uncertain times we need your support more than ever. This is clearly a later addition, probably dating from the nineteenth century. In the original painting the artist painted a landscape background but may have decided that a dark setting was a better foil for the subtle modelling of his figures in light and shadow. Bridgewater Madonna. By registering in the website you will be able to access extra free functionality. Preparatory drawings in London and Vienna show the complex process by which Raphael combined and transformed these two influences from Leonardo and Michelangelo. This is a copy of Raphael’s Virgin and Child known as ‘The Bridgewater Madonna’. You must agree to the Creative Commons terms and conditions to download this image. DESCRIZIONE: La Madonna Bridgewater è un dipinto a olio su tavola poi trasportata su tela di Raffaello Sanzio, realizzato nel 1507 e oggi parte delle collezioni della National Gallery of Scotland di Edimburgo. The light brown shape to the right of the niche was probably an internal shutter for this window, and has been retained as a door to cover the niche. While resting in the shade of a bay tree, the young soldier Scipio has a vision of Virtue and her adversary Pleasure. National Gallery of Scotland, Edinburgh. He first painted her with a blue cloak wrapping around her right breast and behind the child’s body. Only later was this opening transformed into the empty niche of the finished picture. 205846, Giovanni Battista Salvi Sassoferrato (Sassoferrato 1609 - Rome 1685). In the past this painting was believed to be a portrait of Raphael as the sitter slightly resembles his self portrait in The School of Athens of 1509–11 (Vatican). Raphael may have decided that a dark setting was a better foil for the subtle modelling of his figures in light and shadow. To request photography of the artwork please contact us. This image is licensed for non-commercial use under a Creative Commons agreement. Length (cm): 55.00. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. ‘Bridgewater Madonna’ was created in 1511 by Raphael in High Renaissance style. Share this image on social platforms. Contact us Contact Client Service email@example.com. The original is on loan to the Scottish National Gallery in Edinburgh from the Duke of Sutherland’s collection. The Virgin and Child ('The Bridgewater Madonna'), Oil and gold on canvas, transferred from panel, Painted area: 81.00 x 55.00 cm; 82.00 x 57.00 cm (framed: 115.00 x 90.50 x 12.00 cm), Registered Address: National Galleries of Scotland, 73 Belford Road, Edinburgh, EH4 3DS National Galleries of Scotland is a charity registered in Scotland (No. Provenienz: Süddeutsche Privatsammlung. c. 1507. Please consider making a donation, joining our Friends or giving a Friends membership for Christmas. The exchange of glances further emphasises the tender relationship between the beautiful mother and child. Media in category "Bridgewater Madonna" The following 3 files are in this category, out of 3 total. Although our doors have temporarily closed, it's still possible to book tickets for visits from 3 December onwards. Here he achieved a particularly graceful combination of poses, with an elegant twist (contrapposto) in both. Subscribe today for your bi-weekly dose of inspiration. An oval square-framed painting of the Madonna and Child; the Child lying on his mother's knee, turning Its elimination and replacement with a dark interior setting assures an absolute focus on the two figures, with dramatic emphasis on the contrasts of light and dark. She draws his attention to a passage in the book on her knee. Its origin is uncertain but it possibly dates from the late sixteenth century. There is still a window seat remaining beneath the niche. Although he had previously depicted Christ lying across his mother’s lap, he had never before given the pose so much movement nor invested the scene with so much drama. His artistic education began in Urbino, where his father was court painter; he then moved to Florence, and finally to Rome, summoned by Pope Julius II to…, For general enquiries regarding your visit or gallery services: depicted: Jesus Christ. Bridgewater Madonna is an artwork on USEUM. gallery: Scottish National Gallery object type: Painting. Raphael adapted Christ’s pose in reverse from Michelangelo’s relief sculpture, the Taddei Tondo (Royal Academy of Arts, London). Oil on canvas transferred from panel, 81 x 56 cm. The Virgin and Child ('The Bridgewater Madonna') accession number: NGL 065.46 artist: Raphael. Scottish National Gallery, National Galleries of Scotland, La Vierge, L'Enfant Jésus et Saint Jean-Baptiste, Madonna col Bambino tra le sante Caterina e Maria Maddalena. This painting is the only surviving scene from the predella (base) of Raphael’s altarpiece for the Ansidei chapel in S. Fiorenzo, Perugia. subject: Religious Italian Renaissance. Mystic Marriage of Saint Catherine of Alexandria with... Virgin and Child with Canon van der Paele. 312, Giltwood (5202)
The Bridgewater Madonna. Raphael, UNKNOWN, The Virgin and Child (after the "Bridgewater Madonna" by Raphael), 1836, oil on canvas, 46.8 x 37.3 cm, National Gallery of Canada Oil painting on panel, Madonna and Child (The Bridgewater Madonna), after Raphael (Urbino 1483 – Rome 1520), 17th century. After Raphael Sanzio, called Raphael The Bridgewater Madonna oil on canvas 25¼ x 19 7/8 in. Follow lot. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. This altarpiece is one of Raphael’s earliest works. Technical analysis has revealed that the artist originally painted a landscape background. The dynamic spiralling composition echoes, also in reverse, Leonardo’s Madonna of the Yardwinder (one of two versions is on loan to the Scottish National Galleries). Raphael then painted this out but retained a window with a landscape view in the right background. Raphael’s decision to paint out the landscape may have been to focus our attention more closely on the interaction of the Virgin and Child.
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