She's too self-assured, too forthright. Memories "stir." After a whirlwind romance in Monte Carlo with handsome widower Maxim de Winter (Armie Hammer), a newly married young woman (Lily James) arrives at Manderley, her new husband's imposing family estate on a windswept English coast. Before the week is out, Maxim has proposed, and she becomes Mrs de Winter. Fontaine somehow made it clear that this was the character's first experience with a man, in every sense of the word. Orson Welles beat everyone to the punch, though, adapting the best-selling book for radio the year it was published; he peppered the cast with Mercury Theatre regulars. Nicole Kidman stars in HBO's The Undoing, Aaron Sorkin's latest The Trial of the Chicago 7 hits screens and favourites The Mandalorian and Fargo return. As much as I love the 1940 version, there's no reason it should be considered so definitive no one should dare touch it. With Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson. But there are many non-negotiables it doesn’t hit. In 1800s England, a well meaning but selfish young woman meddles in the love lives of her friends. Nationwide News Pty Limited Copyright © 2020. ", Title: Wheatley is a director that has genre-hopped from horror to action to sci-fi to dry comedies. The new Mrs. de Winter fears she will never measure up. They stuck Mrs de Winter in like dumpy hats and cardigans that you could go and pick up from H & M. I don't understand this choice. There have been a couple of Bollywood films inspired by Rebecca, for example. I didn't feel it, it 100% felt like a 2020 film. The characters were just so blah. In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town. With Scott Thomas’ subtle gaze, she’s equal parts malice and hurt, her ill-intent driven by obsession but also pain. A young American woman from the Midwest is hired by a marketing firm in Paris to provide them with an American perspective on things. 17 of 17 people found this review helpful. It had no point of view. Picture: Kerry Brown/NetflixSource:Supplied. Her fears are justified. “We can never go back again, that much is certain. Rebecca - Un film di Ben Wheatley. Based on the 2014 romance novel of the same name, this follows the love life of two young adults. With Lily James, Armie Hammer, Kristin Scott Thomas, Keeley Hawes. Nobody has a firm grasp on what exactly they are supposed to be playing. Del Toro clarified that the film is not horror but "Gothic romance." There’s also not enough of an age gap between Hammer and James (only three years as opposed to the book’s 20-plus and Olivier and Fontaine’s 10) for the complex dynamic of that uneven relationship. Releasing on Netflix this week, Wheatley’s Rebecca is a stylish but flawed attempt at capturing the emotional and psychological nuance of du Maurier’s book. Along with cinematographer Laurie Rose, Rebecca is certainly a visually handsome movie, deploying that dramatic English coastline to great effect while swinging between Hitchcockian wide shots and striking close-ups with slashes of light across James’ high-cheekboned face. Rebecca: Recensione del film Netflix con Armie Hammer Posted on 22 Ottobre 2020 22 Ottobre 2020 Author Valeria Signoriello Comment(0) Rebecca è il nuovo film romantico/thriller prodotto e distribuito dal colosso dello streaming Netflix , ispirato al romanzo del 1938 di Daphne du Maurier dal titolo “ Rebecca, la prima moglie “. Rebecca is based on Daphne du Maurier’s 1938 novel. Find out more about our policy and your choices, including how to opt-out. Scott Thomas does a brilliant job in a role that was played with memorable stoicism by Australian actor Judith Anderson in the Hitchcock version. He discussed the very specific qualities of Gothic romance (all of which he captured in "Crimson Peak," a film I reviewed for this site). That's the essence of Daphne Du Maurier's book, a book which has never gone out of print, speaking to its cross-generational appeal.The past lives around us. Imposing housekeeper Mrs Danvers (Kristin Scott Thomas) runs the house and she takes every opportunity to remind Mrs de Winter how Rebecca would’ve done things. Which possibly makes the sinister Mrs Danvers the real hero of the story? The younger woman feels herself deteriorating under the weight of Rebecca’s memory. Picture: Kerry Brown/NetflixSource:Supplied. The story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois. Even a scene where the new Mrs. de Winter finds Rebecca's catalog of sexy lingerie hidden in a drawer is not enough to establish the nightmarish quality of that arc. Swept away by this dazzling mysterious man, the naive young woman goes back with him to the family manor, a Gothic monstrosity called "Manderley." Kristin Scott Thomas is perfectly calibrated as Mrs Danvers. All times AEDT (GMT +11). Rated PG-13 Directed by Ben Wheatley. Use the HTML below. But still, when Thomas arrives she makes the Monte Carlo sequence seem a prologue. Picture: Kerry Brown/NetflixSource:Supplied. But the new adaptation for Netflix, directed by Ben Wheatley, with a screenplay by Jane Goldman, Joe Shrapnel and Anna Waterhouse, highlights the strengths of the 1940 version, and underlines its own lack, in terms of style, atmosphere, and general understanding of the story itself. The world is in a state of "furtive unrest," it's full of ghosts making demands on the living, the dead exacting revenge from beyond the grave. as George Fortescue Maximilian "Maxim" de Winter, Enjoy the Black Harvest Film Festival at Home, The Awareness of Sound Itself: Filmmakers Behind Sound of Metal on Bringing the Audience Inside the Character's Hearing Loss, Ambition is the Antagonist: Sean Durkin on The Nest. Her face is powdered white, and her lipstick makes of her mouth a dark slash. When I interviewed Guillermo del Toro onstage at Ebertfest, following the screening of "Crimson Peak," he spoke with frustration about how his film was marketed as a horror movie, a category error which led to confused audiences who wondered where the horror was. Sometimes it feels as if Rebecca, with all of its gothic melodrama, wants to be camp, but feels constrained by the reverence for the source material. When the unnamed narrator of marries the widower Maxim de Winter, she barely knows anything about him. While it takes place explicitly in 1935, the Great Depression is nowhere in existence. There are a couple of very effective hallucinatory sequences where the new Mrs. de Winter has nightmares, vines erupting from the floor of the great hall, sucking her down into their clutches, or a hallucinatory moment where the attendees of a masquerade loom at her, chanting gleefully, "REBECCA. news.com.au — Australia’s leading news site, The Trial of the Chicago 7 is compelling cinema. Was this review helpful to you? The novel starts as a dream with the famous opening line: "Last night I dreamt I went to Manderley again." The past is still close to us. Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Netflix. There, she finds herself in a world dominated by the dead Mrs. de Winter, the mythical "Rebecca," whose presence is still felt, in monogrammed pillows, engraved hair-brushes, not to mention the memories of everyone, who all agree she was the most beautiful woman who ever lived. Mrs. De Winter is cowed by the this "ghost," jealous, confused, and hurt by Maxim's transformation from romantic playboy funboy to gloomy-puss simmering with anger and secrets. Read her answers to our Movie Love Questionnaire here. Classically trained British actress Lily James, known for roles in Cinderella and Baby Driver, stars with Armie Hammer in the drama Rebecca. But it didn’t get some crucial things right. As does Rebecca, one of the high watermarks of the Gothic romance genre. Mostly importantly, Rebecca doesn’t convince us that its denouement and the fate of its characters are something worth fighting for. It’s easy to forget the seductive, sexual charmer of those Monte Carlo scenes. I literally cared more about Clarice the maid than the lead characters. "Crimson Peak" was partially inspired by "Rebecca"—if you're familiar with the story you would clock it immediately. After a whirlwind romance in Monte Carlo with handsome widower Maxim de Winter (Armie Hammer), a newly married young woman (Lily James) arrives at Manderley, her new husband's imposing family estate on a windswept English coast. Rebecca has been adapted variously over the years, most prominently by Alfred Hitchcock. You can easily imagine another, more successful movie told from Mrs Danvers’ perspective. Rebecca is his first psychological thriller and it’s also unusual for Wheatley in that his previous work – including High-Rise, Free Fire and Happy New Year, Colin Burstead – all tend to have a comedic streak underpinning them. (I have loved his work before, particular his scores for "Moon" and "Black Swan," so this misstep is an anomaly.) The whispered gossip is Maxim is still grieving the death of his beloved wife Rebecca. The emotions in Gothic romance are fever-pitched. I don't understand why you would attempt to remake a film who's shoes are just too big to fill.First off the film looks great especially the scenes in France and the story is good but that is the source materials fault not anyone involved with this film.I thought it was pretty bland apart from the points above. Directed by Alfred Hitchcock. A courtship begins in the beautiful climes of Monte Carlo, two sun-kissed humans making sexy googly-eyes while hugging the Mediterranean coastline. A young newlywed arrives at her husband's imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives … Along with numerous adaptations for American television, the BBC produced an excellent mini-series version. As the new Mrs. de Winter wanders through her new home, she notices the letter "R" literally everywhere. So, the person who decides to remake it with that kind of legacy hanging around their neck is either gutsy or foolish – of course, those two concepts are not mutually exclusive. The 2020 Rebecca is a more faithful adaptation, restoring a story point that Hitchcock changed due to the moralistic guidelines of Hollywood’s Hays Code, while downplaying the 1930s slut-shaming. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic—now mercifully stilled, thank God—might in some manner unforeseen become a living companion as it had before.” — Daphne Du Maurier, Rebecca. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). for some sexual content, partial nudity, thematic elements and smoking. Maxim disappears into his work, an infrequent presence in her life and in the film over the next hour, and mostly placid when he does appear. A devoted father helps two stranded young women who knock on his door, but his kind gesture turns into a dangerous seduction and a deadly game of cat and mouse. A NOTE ABOUT RELEVANT ADVERTISING: We collect information about the content (including ads) you use across this site and use it to make both advertising and content more relevant to you on our network and other sites. Hammer is miscast for the role, bringing to it a more serious countenance than Olivier’s charismatic Maxim and closer to Jane Eyre’s Mr Rochester. The Best TV Shows About Being in Your 30s. Manderley (with interiors filmed at the oft-used Hatfield House) never really becomes its own character, never builds an atmosphere of claustrophobia despite its volume. REBECCA." Clint Mansell's score more often than not has nothing to do with what's onscreen. Gillian Anderson, Emma Corrin, and Josh O'Connor pick their favorite costumes in Season 4 of "The Crown. This new "Rebecca" is just too damn sane. Find out more about our policy and your choices, including how to opt-out. Rebecca starts streaming on Netflix on Wednesday, October 21 and is also playing in selected cinemas (excluding Victoria), Share your movies and TV obsessions | @wenleima. Rebecca A young newlywed arrives at her husband's imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives on in the house long after her death. Con Lily James, Keeley Hawes, Armie Hammer, Ann Dowd, Kristin Scott Thomas, Sam Riley. You must be a registered user to use the IMDb rating plugin. Without it, it's hard to even perceive what is happening. Now playing in select theaters; available on Netflix on October 21. The music creates a slightly nostalgic mood, slightly sad, slightly melancholy. The first chunk of the movie felt like full romance but then it shifts into like a boring drama then it's all like Frankensteined together with horror tropes like "jump scares". But Jane Eyre, Wuthering Heights, Phantom of the Opera, Coleridge's "Christable": all qualify. He reiterated it over and over. Lily James brings a refreshing straightforwardness to the role in the second half, as the character takes the reins of the situation, but has a difficult time convincing us in the first half that she is susceptible, cowed, in thrall. This is a glittering Jazz Age world, all champagne-fizzy and golden-lit, rich people in linens, swing-y jazz in the background. Drammatico, Gran Bretagna, USA, 2020. I was so confused.I also don't believe the reviews that say this captures old Hollywood. Written by It’s not just that Daphne du Maurier’s novel is revered (and it is), but it’s that two years after the book’s 1938 release, Alfred Hitchcock made it for cinemas with Laurence Olivier and Joan Fontaine in the leads. Rebecca has been adapted for film (and radio, and theatre) countless times, the most famous one, of course, being Alfred Hitchcock's 1940 version, starring Laurence Olivier as Maxim, Joan Fontaine as Mrs. De Winter, and Judith Anderson as Mrs. Danvers (the housekeeper who remains loyal to the dead Rebecca). Rebecca continues to be regarded as a masterful psychological thriller. English director Ben Wheatley decided he was that person. Hitchcock’s Rebecca won the 1940 Best Picture Oscar while Olivier and Fontaine were nominated for their roles – the screen legends didn’t win but would go on to collect Oscars down the track for other performances. When Maxim opens up for the first time about his tragic past, a gentle piano and strings theme plays underneath the scene, completely unconnected to the what's being said. Fed up with being single on holidays, two strangers agree to be each other's platonic plus-ones all year long, only to catch real feelings along the way. After a quick romance, including soft-core sex on the beach, he proposes marriage and swoops her back to Manderley. Lily James plays the unnamed lead character, a lady’s companion to the garish Mrs Van Hopper (Ann Dowd), who catches the eye of the recently widowed Maxim de Winter (Armie Hammer). Picture: Kerry Brown/NetflixSource:Supplied. But beneath her stylish exterior lurks a growing darkness. It's difficult to eradicate the memory of Judith Anderson's terrifying and eroticized performance (even with the Production Code, the 1940 film is more explicit about the nature of Mrs. Danvers' devotion to Rebecca than this updated version). Hammer and James are too-well matched, which was not the point. In 1947, Mildred Ratched begins working as a nurse at a leading psychiatric hospital. Throwback: For Which Film Should Hitchcock Have Won A Directing Oscar? So that tells you something.I was really looking forward to the costumes too but for the most part I was let down. Rebecca (2020) movie review: Lily James adaptation loses story’s magnetism A gutsy adaptation of a classic story has a great cast and handsome visuals. That's more like it, that's the spirit. The book's reach is global. Pete Evans: Nazi scandal could cost celebrity chef ‘millions... Nine star Lauren Phillips’ brutally trashed by ex-husband La... MasterChef Junior contestant Ben Watkins dead at 14. She seemed nice which is at least an adjective, I can't really think of any adjectives to describe Mr and Mrs de Winters. Rebecca starts streaming on Netflix this week. Durata 123 min. There should be nothing "slightly" about that important scene. Looking for something to watch? Picture: Kerry Brown/NetflixSource:Supplied. (2020). When Enola Holmes-Sherlock's teen sister-discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord. The earlier acts are effective and evocative but by the final stretch, the film loses its magnetism and it becomes one of the soapier episodes of Downton Abbey. Thomas brings it, but she seems like she's in a different movie. This adaptation keeps that structure before leaping to Monte Carlo where a young woman (Lily James) suffers under the control of her employer, a ghoulish social climber named Mrs. Van Hopper (Ann Dowd). Picture: Kerry Brown/NetflixSource:Supplied, RELATED: The Trial of the Chicago 7 is compelling cinema. Gothic romance is out of style now, so much so that audiences may not even recognize it as a genre. Once they arrive at his ancestral home, the gothic manor Manderley on the wild Cornish coast, the honeymoon is over. The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out. While this choice was likely to reflect Mrs de Winter’s mental state, increasingly isolated and paranoid without the man she married, Hammer vanishing from the film for long stretches of time works against Rebecca’s final act in which audiences are asked to be on his side. But it … Few filmmakers would’ve taken on the challenge of adapting Rebecca, a haunted, gothic love story. A gutsy adaptation of a classic story has a great cast and handsome visuals. Everywhere she turns, there are reminders of the late Mrs de Winter, the titular Rebecca, a woman who clearly loved a monogram or 76. Rebecca has been adapted for film (and radio, and theatre) countless times, the most famous one, of course, being Alfred Hitchcock's 1940 version, starring Laurence Olivier as Maxim, Joan Fontaine as Mrs. De Winter, and Judith Anderson as Mrs. Danvers (the housekeeper who remains loyal to the dead Rebecca). Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). Want to share IMDb's rating on your own site? Treating Rebecca as a traditional period piece romance-melodrama doesn't go at all far enough. Lily James as Mrs de Winter. Rated PG-13 for some sexual content, partial nudity, thematic elements and smoking, 2021 Oscar Predictions: Best Director [Updated November 16], Film Review: Rebecca (2020): Faithful Adherence to Story Makes Gothic Novel Come Alive, Horror Highlights: Ben Wheatley’s In The Earth, Cult Of Dracula, New York City Horror Film Festival, Night Creatures, Don’T Look Back, IMDb Picks: Halloween Favorites to Stream Now, October Picks: The Movies and TV You Can't Miss, Everything Coming to Netflix in October 2020, United Artists 100th Anniversary Poll Part I. Is Rebecca there in the bed with the newlyweds, laughing at the clumsy inexperience of Maxim's new bride? Un melodramma romantico che trasforma l'aura magica del passato in un'elegia moderna e sentita. SAS Australia: Candice Warner’s gripe with toilet tryst mome... George Clooney’s massive cash gift to 14 closest friends. Armie Hammer is on sure ground in the first half, where he has to be charming, breezily rich, romantic, but then seems at sea in the second half, where he has to face the horror of the real circumstances of Rebecca's death. In the Hitchcock film they give her interesting dresses and stylish tops. Con artists plan to fleece an eccentric family using an accomplice who claims to be their long-lost uncle. "No Small Parts' looks at her rise to fame. If you want a old Hollywood movie just go and watch one.I would honestly skip it, it was pretty confused. What year was Daphne du Maurier's novel, Rebecca, published? There's not a clear enough sense of collective suppression, desires unspoken, sexual/psychological torment so intense it leads to madness. Keep track of everything you watch; tell your friends. One morning, the glamorous Maxim de Winter (Armie Hammer) rescues our heroine from social embarrassment, and, captivated by her, invites her out for a drive. Sexual jealousy is a huge part of Du Maurier's book: how awful would it be to know you didn't measure up in the sack to a dead woman? A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence. Everyone she meets, including Rebecca's cousin (Sam Riley), who has been banned from the house for mysterious reasons, is still haunted by her memory. View production, box office, & company info. Rebecca never succeeds in making the argument that we should forgive Maxim after the story’s climactic revelation – and it certainly doesn’t establish why Mrs de Winter would. A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence. Choose an adventure below and discover your next favorite movie or TV show. The second Kristin Scott Thomas, as Mrs. Danvers, her eyes as cold and dark as black ice, slithers across the room to meet the new lady of the house, she establishes the proper style for this feverish material. Orson Welles beat everyone to the punch, though, adapting the best-selling book … Armie Hammer

rebecca film recensione

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