al dolce Gesù, e trafitture di coltello al vostro sensibilissimo Cuore. Mary, Queen of the Holy Rosary, pray for us. O blessed Mary, Mother of God, our Lady of Walsingham, intercede for us. I. Turn then, most gracious Advocate, thine eyes of mercy toward us, and after this our exile, show unto us the blessed fruit of thy womb, Jesus, O merciful, O loving, O sweet Virgin Mary! And, help me to bring this same peace into the lives of others. tips[24]='Holy Virgin Mary, you are reigning in glory, with Jesus, your Son. Figure 1: Front cover of a devotional leaflet containing the Italian text of the Supplica (‘Petition’) prayer to the Blessed Virgin of the Rosary of Pompeii (Our Lady of Pompeii). Voi, dunque, come nostra Madre, siete la nostra Avvocata, la nostra In quest'articolo presenterò il mio attuale progetto di ricerca sul Pontificio Santuario della Beata Vergine del Santo Rosario di Pompei. Hughes, Jessica (2015) ‘‘No Retreat, Even When Broken’: Classical Architecture in the Presepe Napoletano’, in Hughes, Jessica and Buongiovanni, Claudio (eds) Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. No, non ci leveremo dai vostri piedi, non ci In Ratu Saraswati’s essay, she describes the intimate, mindful ways in which she and her participants connected with the East Jakarta landscape, for instance, by collecting the morning dew, and by feeling the contours of the ground that lay beneath them. The image is a close copy of the painting in the Pompeii sanctuary. Bless finally all those who are associated with your temple of Pompeii and all those who cultivate and promote devotion to your Holy Rosary. nostri nemici, e di tanti che si dicono cristiani, e pur dilacerano il Cuore In the early issues of the RNP, we also get some explicit and carefully thought-out appraisals of the relationship between ‘New’ and ‘Old’ Pompeii. tips[27]='O Lady of Mental Peace, Mother of Tranquility and Mother of Hope, look upon me in this time of my weakness and unrest. Jesus has placed in your hands all the treasures of his graces and mercies. o Maria, in questo momento, il Sommo Pontefice. Amen' - È vero, è vero che noi per Opposite Vesuvius stood Monte Gauro (now known as Monte Faito), a tall mountain where, in the sixth century, St Michael had appeared to the Bishop of the nearby town of Castellammare. We shall not leave you until you have blessed us. On the one hand, Longo was committed to strengthening relationships with the divine, particularly via the thaumaturgic image of the Madonna of Pompeii (Fig. The Modulation of Maria Imagery in Place, Memory and Performance’, in Anna-Karina Hermkens, Willy Jansen and Catrien Notermans (eds) Moved by Mary: The Power of Pilgrimage in the Modern World, Farnham: Ashgate, pp. In the book Sweet Mother (about the sanctuary’s collection of ex-votos), Monsignor Pietro Caggiano records instances of people experiencing healing miracles on receipt of a telegram from the sanctuary, or of a copy of the Rosario e la Nuova Pompei [Caggiano, Rak and Turchini 1990: 32-35]. tips[9]='My God, I believe, I adore, I hope, and I love You. The concept of legendary topography also helps in thinking about the gap between on-site experiences of a landscape versus off-site imaginings and representations: for instance, H. notes how certain localities become ‘stabilised’ through the ‘symbolic reflections’ of departed group members, at the same time as the places themselves continue to materially evolve, whether through processes of decay, or (as in the case of nineteenth-century Pompeii) through excavation and over-building. Teach my searching heart to know that God Love for me is unchanging and unchangeable; and, that true human love can only begin and grow by touching His Love. My use of this phrase is not entirely analogous to Halbwach’s, since there are significant differences between the processes of memorialisation in the Holy Land and in the Valley of Pompeii. clemenza ove sedete Regina, volgete, o Maria, lo sguardo vostro pietoso Amen' Bronze age inhabitants, Greek colonisers, Etruscan settlers, Samnites, Romans and medieval Christians – all these communities and eras left their marks or ‘traces’ on the area around Pompeii. (three times) Sweet Mother, I place this cause in your hands. You are our Mother, we desire ever to remain your devout children. – È vero, è vero che noi per primi, benché vostri figliuoli, coi peccati torniamo a crocifiggere in cuor nostro Gesù, e trafiggiamo novellamente il vostro Cuore. II. tips[23]='Most Glorious Virgin, you were chosen by the eternal Counsel to be the Mother of the Eternal Word made flesh. Our Lady of Pompeii - "The Supplica" May 7 is the Feast of La Madonna del Santo Rosario di Pompei Among the prayers used on this day is Blessed Bartolo Longo's prayer, the Supplica, meaning supplication or petition, which is traditionally said at noontime. Today, let’s set our iPhone alarms for Noon to pray the Supplica! <>/ExtGState<>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI] >>/Annots[ 20 0 R 21 0 R] /MediaBox[ 0 0 841.8 595.4] /Contents 4 0 R/Group<>/Tabs/S/StructParents 0>> Instead, later versions of the prayer omit the last phrase about ‘the spot where idols and demons were formerly worshipped’ – an edit which, we might surmise, was made in response to the growing international reach of this prayer – so central to Pompeian devotion. tips[6]='Father, source of light in every age, the virgin conceived and bore Your Son Who is called Wonderful God, Prince of Peace. Amen' The original building built between 1876 and 1891 and designed by Antonio Cua followed a Latin cross plan. – O Augusta Regina delle vittorie, o Vergine sovrana del Paradiso, al cui nome potente si rallegrano i cieli e tremano per terrore gli abissi, o Regina gloriosa del Santissimo Rosario, noi tutti, avventurati figli vostri, che la bontà vostra ha prescelti in questo secolo ad innalzarvi un Tempio in Pompei, qui prostrati ai vostri piedi, in questo giorno solennissimo della festa dei novelli vostri trionfi sulla terra degl’idoli e dei demoni, effondiamo con lacrime gli affetti del nostro cuore, e con la confidenza di figli vi esponiamo le nostre miserie. Republished in The Jugaad Project. Sì, lo confessiamo, siamo meritevoli dei più aspri flagelli. aspettiamo le sospirate grazie. Ogni mese pubblichiamo 2.450 articoli e circa 40 video. no! Amen. Amen' secolo ad innalzarvi un Tempio in Pompei, qui prostrati ai vostri piedi, in <> Sì, lo confessiamo, siamo volerci aiutare, perché figli ingrati ed immeritevoli della vostra There are none that can withstand your power. tips[11]='O Mother of Perpetual Help To thee we come imploring help. Look upon me with compassion, Do not leave me, my Mother. The 79CE eruption of Vesuvius alone had deposited layers of white and grey pumice which were interwoven with ash layers of pyroclastic surge and flow deposits; these Roman layers are sandwiched between earlier and later strata which include green pumice-fall, fluviatile sands, gravel, yellow-brown volcanic ash and dark brown mudflow [3]. Perhaps this is not surprising, since it may be that the model for the sculpture group was (a reproduction of) the painting in the sanctuary (see Fig. O star of the sea, Help me and show me herein you are my mother, O Holy Mary, Mother of God, Queen of Heaven and Earth, I humbly beseech you from the bottom of my heart To succour me in my necessity. You will be our comfort in the hour of agony: to you the last kiss of our dying life. In your motherly love, calm my fears and increase my trust in God loving care. Inspired by this confidence, I fly unto you, O Virgin of virgins, my Mother. Madre, trattenete il braccio della [1] The painting is thought to date from the seventeenth century, and has been attributed to an artist from the Neapolitan school of Luca Giordano (1634-1705). vostra Corona, agli antichi trionfi del vostro Rosario, onde siete chiamata Photo by author. O show me you are my mother. One last favour we now ask of you, O Queen, which you cannot refuse us (on this most solemn day): Grant to all of us your steadfast love and in a special manner your maternal blessing. I come, therefore, with unbounded confidence to implore your maternal intercession. Figure 2. In his History of the Shrine of Pompeii, Longo recounts: ‘I have written these pages in my little study [...]. Se state leggendo questo articolo, è grazie alla vostra generosità e a quella di molte altre persone come voi che rendono possibile il progetto evangelizzatore di Aleteia. [5] Concepts of miniaturisation and fragmentation were explored in a previous article for The Jugaad Project, on Yves Klein’s Ex-voto to St Rita of Cascia. Caggiano, Pietro, Rak, Michele and Turchini, Angelo (1990) Sweet Mother, Pompei Delegazione Pontificia, Cava dei Tirreni: Arte Grafiche Di Mauro [Italian title: La Madre Bella]. The impact of the global upon the local can also be seen when we track the various modifications made to the text of the Supplica, a prayer that was initially written for a local Italian audience, but which then became a hallmark of the sanctuary’s internationalism and diversity (see Figure 5 above). Volcanic lava and heat were never far from view either: a powerful eruption in April 1872 was followed by a long period of persistent Strombolian activity during which viscous flows of lava formed a new dome on Vesuvius, before a further eruption in 1906. Holy Mary I place this cause in your hands. Amen' these are given out free of charge for the benefit of the sick.’ From Caggiano, Rak and Turchini (1990) p. 34. Tratta dal portale ufficiale del Pontificio Santuario mariano di Pompei. Amen' Amen' ?jV��'��z�,z-V��f�/?���-��={��ѓ3�b����G�6lb�5�^���W�~��`}��[��dG]��o�����G�,��X���Ǐ������{Nn[.�{y�X. In the search for innovative means of spreading spiritual connections, even the most sacred landscape can be transcended. mostratevi a tutti, qual siete, Regina di pace e di perdono. Venezia | Belluno 49-65. Figure 6 shows a small envelope alongside a handful of dried roses, which the typed words on the envelope explain were grown in the roseto di Maria (‘the rose garden of Mary’). It is true that although we are your children we are the first to crucify Jesus by our sins and to pierce anew your heart. | Bolzano | Gorizia Figures 7 and 8 show a pair of examples which particularly struck Urmila Mohan and I, as we were browsing through photographs of various international churches and holy images dedicated to Our Lady of Pompeii. Have pity on those who are separated from someone they love. Jessica Hughes is Senior Lecturer in Classical Studies at The Open University. primi, benché vostri figliuoli, coi peccati torniamo a crocifiggere in cuor Amen' Regina delle vittorie, deh! Amen' I who am your most unworthy servant have recourse to thee. After his conversion, he spent his life promoting the Rosary, and building up the shrine to Our Lady in Pompeii, Italy. | Vittorio Veneto, (da recitarsi l'8 maggio e la prima domenica di Amen' The day is celebrated in Italy, and all over the world, with the recitation at Noon of a prayer called the Supplica which was written by Blessed Bartolo Longo (information). Pietro Caggiano. Mary all who seek your help experience your unfailing protection. materna benedizione. . Benedite, See, O Mother, how many dangers of body and soul, how many calamities and afflictions press upon us. Vedete, o Madre, quanti pericoli nell’anima e nel corpo ne circondano: quante calamità e afflizioni ne costringono! mani tutti i tesori delle sue grazie e delle sue misericordie? Tempio di Pompei, e quanti coltivano e promuovono la divozione al vostro perduti. The commemoration of Our Lady of Pompeii occurs on May the 8th. Ogni mese, i nostri lettori visionano più di 50 milioni di pagine. Amen' Hail Mary. Siate ovunque benedetta, oggi e sempre, in terra e in cielo. O blessed Rosary of Mary, sweet chain which unites us to God, bond of love which unites us to the angels, tower of salvation against the assaults of hell, safe port in our universal shipwreck, we shall never abandon you. O Star of the Sea, help me and show me herein you are my mother. It was given to Bartolo Longo in 1875 by a nun (Sister Maria Concetta De Litala) from the Convent of the Rosariello at Porta Medina in Naples. nostro Gesù, e The facade culminates with the statue of the Virgin of the Rosary (18,000 kg (40,000 lb), 3.25 m (10.7 ft)), work of Gaetano Chiaromonte, carved from a single block of Carrara marble, beneath which are placed the word “PAX” and the year “MCMI” (1901). I would argue that, for these people, the sanctuary literature created and codified a legendary topography – a part-material, part-imaginary entity that I have been calling, in my project, ‘the enchanted valley’. Amen' trionfo alla Religione e la pace alla umana società. Ai prischi allori della This is an example. Others, in the same location, suppress that topography – creating new and independent representations which seem (like the three-dimensional statue from the Kaikamba church) to inhabit something of a geographical vacuum. The following passage dates from April 1887: ‘On top of mountains, we see the most famous sanctuaries arise: Carmel, Loreto, MonteVergine, Oropa, Lourdes. Like the rose petals shown at Figure 5 above, some of the new international images do include tenuous links with the landscape of Pompeii, and continue to reference its legendary topography (as with the Vesuvius in the background of Figure 7). She is currently working on a new monograph entitled Religion and Memory in the Valley of Pompeii, about the nineteenth-century Catholic sanctuary in the modern town of Pompeii and its evolving relationship with the nearby ancient Roman excavations. Statistics about the international audience of Pompeii are frequently cited in the RNP, attesting to its global reach. My loving Mother, obtain my request. From the throne of clemency, where you are seated as Queen, turn, O Mary, your merciful gaze on us, on our families, on Italy, on Europe, on the world. We thank, Roman Catholic dogma asserting that Mary, the mother of Jesus, was preserved free from the, Saint Maximilian – Martyr Saint Maximilian, hear this prayer of praise and supplication which I, To recite on Tuesdays and Fridays Begin the Rosary with sign of the cross: In, The Catholic Encyclopedia, proposes to give its readers full and authoritative information on the entire. comune naufragio, noi non ti lasceremo mai più. Yves Klein’s Ex-voto to St Rita of Cascia, Moved by Mary: Pilgrimage in the Modern World,,, giustizia del vostro Figliuolo sdegnato e vincete colla clemenza il cuore 284-309. Pietà vi prenda, o Madre buona, pietà di noi, delle anime nostre, delle nostre famiglie, dei nostri parenti, dei nostri amici, dei nostri fratelli estinti, e soprattutto dei nostri nemici, e di tanti che si dicono cristiani, e pur dilacerano il Cuore amabile del vostro Figliuolo. It was again finally restored by Vatican artists in 1965. She is European Book Reviews Editor for Material Religion: The Journal of Objects, Art and Beliefs, and she co-produces The Votives Project website and network with Emma-Jayne Graham. Il 7 ottobre si celebra la Madonna del Rosario e la città di Pompei è in festa per la sua patrona. Misericordia per tutti, o Madre di Misericordia. Other geological features in the Valley were equally sacred and symbolic. da quel trono di Blessed Bartolo wrote the prayer after converting from a Satanist priest to the Catholic Faith. These two examples from the Kaikamba church in South India indicate that there are myriad different ways in which global versions of the Madonna of Pompeii can be localised as well as related back to the ‘original’ Italian painting – and to the landscape in which that painting resides. We know your compassion, because you saw your Son suffer and die for us. .css-1o0yblo{border:none;overflow:hidden;}.css-q79fan{display:block;position:relative;max-width:100%;margin:24px auto;padding-bottom:56.25%;}.css-q79fan noscript > iframe,.css-q79fan iframe{position:absolute;top:0;bottom:0;left:0;right:0;height:100%;width:100%;border:none;}. In the Valley of Pompeii, these ruins became part of a wider ‘legendary topography’ [4] which revolved as much around the geological contours of the landscape as around the historical elements. I. You have asked us to pray with confidence, and we will receive great graces. tips[15]='O most beautiful flower of Mount Carmel, Fruit of the vine, Splendrous of heaven, Blessed Mother of the Son of God, Immaculate Virgin, Assist me in this my necessity. And we raise our suppliant hands to you with sighs crying “Mercy!” O good Mother, have pity on us, on our souls, on our families, our relatives, our friends, our deceased, especially our enemies, and on so many who call themselves Christian and yet offend the heart of your loving Son. This image of the Madonna and Child handing rosaries to St Catherine and St Dominic is one of the most instantly-recognisable scenes of Italian Catholic visual culture; it is found propped up on bedside-tables, etched into roadside shrines, hanging in side-chapels in provincial churches, and stuck onto the windscreens of cars, buses and motorcycles. You are seated a crowned Queen at the right hand of your Son, resplendent with immortal glory above the choirs of angels. Jesus. endobj David Morgan’s words here show the importance of context in understanding the specific (in this case political) meanings of gaze in Marian iconography. Grant that He may receive us through Thee, He to whom we were given through Thee. La Supplica alla Regina del Santo Rosario di Pompei fu scritta, nel 1883, da Bartolo Longo con il titolo “Atto d’amore alla Vergine”. Mary, Queen of Peace, pray for us. ‘On one hand, a volcano’s eruption is a potential threat’, she writes, ‘but, on the other hand, its soil is very fertile and important for the people who live on agriculture’. all'inferno, e Voi sola ci strappate dalle mani di Satana, o Maria. Behold us here, from far and near, To ask of thee our help to be; Behold us here, from far and near, To ask of thee our help to be. Che vi costa il salvarci? I beg pardon of You for those who do not believe, do not adore, do not hope, and do not love You. Might we connect the changed form of the Kaikamba statue, then, to Mangalorean and perhaps far older Indic ideas about the frontal, hierarchic efficacy of darshan [Eck 1981] and the darshanic gaze? Republished in The Jugaad Project, 14 July 2019, [9 October 2019], Morgan, David (2010) ‘The Material Culture of Lived Religions: Visuality and Embodiment’, Originally published in Mind and Matter: Selected Papers of Nordic Conference 2009. According to God plan, obtain for me the healing I need. The triangulation of life + death + volcano is present in many of the paintings and devotional images found at Pompeii. chiediamo, o Regina, che non potete negarci in questo giorno solennissimo. 1 0 obj Alternatively, the sick person could drink the water or eat the rose petals. Photo taken from a window of the archives in the Pompeii sanctuary, looking over the ‘Piazza Bartolo Longo’ towards the Monte Lattari. Così sia. Look upon me with mercy. And in 1887, Longo’s friend and collaborator, Ludovico Pepe, published a significant new historical survey of the valley, Memorie Storiche dell’Antica Valle di Pompei [Pepe 1887]. They find its emphases embarrassing, its display of emotion unnerving…The Supplica may not be everyone’s cup of tea. These different accounts of the area’s layered history and geomorphology enabled Longo to draw connections and contrasts with his own building projects, and to use the antiquity of the Pompeian valley to help shape the identity of his nascent Catholic shrine. We ask this through Christ our Lord. tips[1]='Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Ai prischi allori della vostra Corona, agli antichi trionfi del vostro Rosario, onde siete chiamata Regina delle vittorie, deh! | Trieste | Udine Image Credit. Bless, O Mary, at this moment, our Holy Father. As Scarth warns in his Preface, ‘Vesuvius is well worth the closest scrutiny, because it may be approaching its most violent outburst since 1631.’. Misericordia per tutti, o Madre di Misericordia. They see it as representative of an unenlightened, sentimental, southern Italian piety bordering on superstition. Dom Kirby notes in his blog, Vultus Christi, that the Supplica has been at times disliked by rationalists. Voi siete l’Onnipotente per grazia. 17-32. Once the petals reached their destination, they could be put in water to be revived, and then applied to the sick person’s body. parenti, dei nostri amici, dei nostri fratelli estinti, e soprattutto dei Amen' Messe latine antiche nelle Pietà, deh! These spiritual and symbolic ‘hotspots’ include Vesuvius and Monte Gauro, as well as the Roman excavations and salient spots within them (such as the amphitheatre and the Temple of Isis). In your union with his suffering you became the mother of us all. Eck, Diana. Love has not a proper description because cannot be seen, has no dimensions, no shape, Dear friend,  The Marian Devotions – For the Children in Need, welcomes you. To thee do we cry, poor banished children of Eve; mourning and weeping in this valley of tears. Figure 7. – Che vi costa, o Maria, l’esaudirci? Mostrerò come Longo e i suoi collaboratori si ispiravano al simbolismo di questa stratigrafia per scolpire e sviluppare l'identità dello santuario nascente, e come alcune località nella Valle di Pompei diventavano parte di una ricca 'topografia leggendaria'. I indicate how Longo and his collaborators drew on the symbolism of these different layers to help shape the identity of their nascent Catholic sanctuary, and how certain localities within the Valley of Pompeii became part of a rich ‘legendary topography’. Figure 6. ‘Pompei sintesi di antico e moderno’ by Claudius R. Karl, currently on display in the entrance hall of the archives (the ‘Archivio Bartolo Longo’). Further questions also arise from the comparison: for instance, how does this new 3D version of the scene lead us to re-think the centrality (or otherwise) of visuality back in Pompeii, where – somewhat unusually for a Marian sanctuary of this period – the foundation narrative does not include any visual apparitions of Mary, but instead emphasises the sense of hearing, and the potency of the spoken word (Figure 9)? . Were you not willing to help us, since we are ungrateful children and undeserving of your protection, we would not know to whom to turn. Blessed Bartolo wrote the prayer after converting from a Satanist priest to the Catholic Faith. Full of trust in thy merits, we come before thee and beg thy protection. Petition to Our Lady of the Rosary of Pompeii Concedete a tutti noi l'amore vostro costante, e in modo speciale la vostra Vogel and Märker (2010) ‘Reconstructing the Roman topography and environmental features of the Sarno River Plain (Italy) before the AD 79 eruption of Somma–Vesuvius’, Geomorphology 115: pp. Vedete, o Madre, quanti pericoli da quel trono di clemenza ove sedete Regina, volgete, o Maria, lo sguardo vostro pietoso verso di noi, su tutte le nostre famiglie, sull’Italia, sull’Europa, su tutta la Chiesa; e vi prenda compassione degli affanni in cui volgiamo e dei travagli che ne amareggiano la vita. Amen' 3 0 obj travagli che ne amareggiano la vita. tips[31]='Holy Mary, Our Mother, today, each day and in our last hour, we entrust ourselves entirely to your loving and singular care. Venezie O To display your Instagram posts, double-click here to add an account or select an existing connected account. Speranza. al cuor vostro. Vescovo, i Sacerdoti e particolarmente tutti coloro che zelano l'onore del The portrait depicts the Blessed Mother, seated upon a throne, is depicted holding the Child Jesus on her knee. Supplica e Novena alla Madonna del Rosario di Pompei Il Beato Bartolo Longo nasce il 10 febbraio 1841 a Latiano in provincia di Brindisi. Tutto questo lavoro è svolto da 60 persone che lavorano full-time e da altri circa 400 collaboratori (autori, giornalisti, traduttori, fotografi...). Grazie! tips[13]='Blessed be your purity,May it be blessed forever, For no less than God takes delight, In such exalted beauty. Oggi mostratevi a tutti, qual siete, Regina di pace e di perdono. dei peccatori: sono pur nostri fratelli e figli vostri, che costarono sangue Amen' Un'ultima grazia noi ora vi Hail Mary. O Mary! meritevoli dei più aspri flagelli. Our Lady of the Rosary. Voi siete For Italian Catholics, very few places are more important and beloved than the Sanctuary of the Blessed Virgin of the Rosary of Pompeii. protezione, diteci almeno a chi altri mai  dobbiamo Maria, It is the prayer of a man very like myself: a poor sinner who fears nothing when he holds the Rosary in his hands, knowing that the Mother of God holds her end of the chain, and will not let it go. Petals from these roses were also dried and posted around the world, often after having being held to touch the thaumaturgic painting. Blessed Bartolo is a wonderful example of a saintly man who is husband and father. O August Queen of Victories, O Sovereign of Heaven and Earth, at whose name the heavens rejoice and the abyss trembles, O glorious Queen of the Rosary, we your devoted children, assembled in your temple of Pompeii, (on this solemn day), pour out the affection of our heart and with filial confidence expresse our miseries to you. Have pity on the loneliness of our hearts. Figure 7 shows a screenshot from the Kaikamba Parish Facebook page, where a tourist advert in English is juxtaposed with a thanksgiving message from a parishioner. Voi sedete coronata Regina alla destra del vostro Figliuolo, circondata di gloria immortale su tutti i cori degli Angeli. As well as heightening the colours and adding floral garlands, the dynamics between the figures had been changed in ways that have a profound effect on the devotee’s interaction with the Madonna. In the original Pompeii painting, the bodies of St Dominic and St Catherine are oriented slightly towards the external viewer; in the statue, the saints have turned inwards, and appear to the viewer in profile. And the last word from our lips will be your sweet name, O Queen of the Rosary of Pompeii, O dearest Mother, O Refuge of Sinners, O Sovereign Consoler of the Afflicted. Amen' Here, the Queen of Heaven has established her throne on the ruins of pagan idols, and on the ashes of the destroyed pagan grandeur.’ [RNP 1887: 89]. | Verona | Vicenza How did Bartolo Longo himself perceive the unique historical and geological features of that landscape, and how did he communicate that vision to his collaborators? Concedete a tutti noi l’amore vostro costante, e in modo speciale la vostra materna benedizione. Tu ci sarai conforto nell’ora di agonia; a te l’ultimo bacio della vita che si spegne. The day is celebrated in Italy, and all over the world, with the recitation at Noon of a prayer called the Supplica which was written by Blessed Bartolo Longo (information). Mary, Our Loving Mother, pray for us. The Supplica, for example, was – and still is – proclaimed twice-yearly at midday Italian time on the 8th May and the first Sunday in October, thus joining the widely-scattered faithful in a synchronous act of worship. The shrine dedicated to the Blessed Virgin Mary. Carmel, Fruitful Vine, Splendor of Heaven, Blessed Mother of the Son of God, Immaculate Virgin, assist me in this my necessity. Amen' Graciously be my guide and counselor in this valley of tears. tutta la Chiesa; e vi prenda compassione degli affanni in cui volgiamo e dei Deh! Voi noi confidiamo pienamente in Voi, ci gettiamo ai vostri piedi, ci abbandoniamo come deboli figli tra le There are none that can withstand your power. Ecco qualche dato: Come potete immaginare, dietro questi numeri c'è un grande sforzo. 20 milioni di utenti in tutto il mondo leggono ogni mese. But no other sanctuary has ever been seen to rise in a Valley that has a mountain of fire for a head, and ashes and lapilli for a bed – and for her foundation, ruins of sepulchres and pagan habitations. cuore, e con la confidenza di figli vi esponiamo le nostre miserie. III. Note the addition of Vesuvius and the archaeological excavations in the background – features which situate as well as shape Catholic veneration in Pompeii. vostro Santuario. tips[22]='Remember, O most gracious Virgin Mary, that never was it known that anyone who fled to your protection, implored your help or sought your intercession, was left unaided.

bartolo longo supplica

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